28 Days Later Plot

28 Days Later (2002) is a low-budget post-apocalyptic science fiction movie directed by Danny Boyle and written by Alex Garland. Set in Britain at the beginning of the 21st century, the movie concerns the breakdown of society following the release of a plague known as 'Rage', which almost instantly locks those who are infected by it into a state of irreversible hyperactive psychosis and murderous insanity, and the struggle of a handful of survivors to come to terms with the ruins of everything they once knew. A critical and commercial success, the film is most widely recognised for its images of an entirely deserted London, and is shot almost entirely on digital film.

Tagline: Day 1: Exposure - Day 3: Infection - Day 8: Epidemic - Day 15: Evacuation - Day 20: Devastation

The film is Boyle's re-interpretation of the "zombie flick" genre, and was well received both in the United Kingdom and internationally.

"the power of the film is not that it hasn't been done before, but that it hasn't been done recently."
Kim Newman, Empire
Similarities in the concept could be drawn to David Cronenberg's horror film Rabid and in storyline to George Romero's "Living Dead" series of films. The film also bears similarity to John Wyndham's novel The Day of the Triffids in several of its story elements, notably in scenes where the central character awakes in a deserted hospital amidst a post-apocalyptic London. The plot device of the military post also bears noticeable resemblances to the warren of the Efrafa in Watership Down.

There are also similarities to the Resident Evil videogame series.

While it seems that this falls into the zombie apocalypse category of film, Boyle has written that 28 Days Later is not a science fiction or horror film, but rather a drama. Indeed, the film's "zombie moments" are few and far between, and the bulk of the running time is dedicated to character study and building suspense. The film's score was composed by British composer John Murphy and was released in a score/song compilation in 2003.

The film begins in at an animal testing laboratory at the University of Cambridge, where several Animal Liberation Front-style activists break into the laboratory at night and discover chimpanzees being subjected to torturous experiments. A technician desperately tries to stop the group from releasing the animals, claiming that they have been infected with an extremely potent viral disease known only as "Rage", which has made them irrational and extremely violent. The activists refuse to believe the technician and release a chimpanzee, which immediately attacks a female activist. The woman, screaming that she is burning, is within half a minute transformed into a state of irreversible perpetual rage, and attacks the others in the room...

Twenty-eight days later, Jim (Cillian Murphy), a good-natured Irish bicycle courier, wakes up in a deserted London hospital. Exploring the hospital, he discovers that he is the only person present; the hospital is deserted and trashed. Leaving the hospital and crossing Westminster Bridge towards the Houses of Parliament, Jim discovers that London is in the same state; the streets are empty, the great monuments loom silently and omniously over a deserted, empty metropolis. The streets are filled with signs of something terrible having happened: Jim walks past an overturned London bus, sees government posters declaring "QUARANTINE", and wanders endlessly alone through streets filled with the debris of everyday life. He comes across a looted newsagents shop and briefly looks at a newspaper announcing that the Prime Minister has declared a state of emergency, then comes across an advertising board surrounding the Statue of Eros in Piccadilly Circus, which is covered in panicked, hand-written notes searching for missing people.

As darkness falls, Jim enters a church (on the wall of which is scrawled 'REPENT THE END IS EXTREMELY FUCKING NIGH') and, looking over the main hall sees piles of corpses spread over the floor and pews. Not everyone present is dead, however; his presence attracts the attention of a handful of people standing, hyper-alert, in the church hall, and a seemingly-possessed Catholic priest lurches towards Jim, snarling and grasping in a frightening way, prompting Jim to knock him to the ground. As he flees the church, Jim is chased by several snarling, blood-stained people who pursue him with almost super-human speed; before they can catch him, however, he is rescued by two people dressed in police riot gear who kill his pursuers by exploding a petrol station, then rush him to their hideout in an abandoned section of the London Underground. Jim's rescuers are Mark (Noah Huntley), an amiable but world-weary young man, and Selena (Naomie Harris), a hardened and ruthlessly pragmatic young woman, who worked as a pharmacist before the Rage spread (Her knowledge and supply of different medicines plays a role later on as she helps both Jim and another character). Jim, terrified and confused, demands to know what has happened since the traffic accident that put him in his coma; and so, Mark and Selena outline what has happened in the last twenty-eight days.

Following the outbreak in Cambridge, "Rage" spread across rural Britain, spreading through a single drop of blood and turning the infected people and animals into the Infected—vicious, mindless zombie-like creatures, intent only on killing. As the British Army was deployed to blockade the cities and prevent the infected from entering urban areas, the British government ordered a mass evacuation of the British Isles - but by the time the evacuation began, it was too late, as the infected had overrun the army blockades and entered the cities. Public services, such as water, electricity, and communications shut down, and civil authority and amenities collapsed. Selena tells Jim that the last radio announcement on the BBC told of infections breaking out in Paris and New York City. Mark describes the horror of the evacuation, losing his entire family in a mass stampede at Paddington train station. There is no government, no authority, nothing to protect them, and the rest of the world has probably suffered the same fate as Britain. Jim is the first non-infected person the other two have seen in six days.

Jim, completely shell-shocked, insists on trying to reach his parent's house, despite Mark and Selena's callous observations that his parents are most likely dead. Jim is adamant, however, and rather than let him go by himself (as he will almost certainly not return) the others reluctantly agree to accompany him. On arriving there, however, Jim finds that his parents have committed suicide together, believing that the world was over and that Jim would not wake up from his coma in the hospital. While staying overnight in the house, Jim, shattered, enjoys memories of living at home; but the candle he absent-mindedly lights attracts a couple of the Infected - two people, he is horrified to discover, who once were his next-door neighbour and his neighbour's daughter. Mark and Selena kill the infected, but Mark has been badly cut and blood from the attacker has mixed with his. Worried that he is infected, Selena instantly and ruthlessly hacks Mark to death with a machete, ignoring his pleas and screams. Jim is now just as terrified of her as he is of the Infected, as Selena makes it clear that she will be more than willing to do the same for him "in a heartbeat" should he be infected. She informs him that once infected, a person has roughly twenty seconds before they enter the violent zombie state, thus enforcing Selena's cold, hard-earned life philosophy - "staying alive's as good as it gets".

Jim and Selena venture out once again, but are surprised to see a set of working Christmas lights in the window of a far-off tower block, despite the fact that electric services have been discontinued for many weeks. They climb an improvised ladder fashioned from shopping trolleys (carts) that leads up to the main stairwell. The duo climbs the stairs, only to realise halfway up that Infected have followed them in. They are rescued by an unknown man wearing riot gear, who kills the infected on the staircase and ushers them into his house. The man introduces himself as Frank (Brendan Gleeson), a cabdriver, and introduces his teenage daughter Hannah (Megan Burns). They have not seen anyone in weeks, and are only too happy to have Jim and Selena as company. A surreal and uncomfortable scene follows in which the group shares a bottle of Crème de Menthe, and Jim and Selena settle down in the flat for the night.

In the morning, Frank explains that they cannot survive in London, as they are running out of water - it has not rained in weeks - and as Frank cannot leave Hannah alone in the building, they are thus surrounded by the Infected with dwindling food supplies. There is hope, however; Frank has picked up a pre-recorded radio broadcast, running on a loop, made by a group of soldiers who have set up a fortified base at one of the army blockades on a motorway, built weeks before to protect Manchester from the infected. And they claim to have 'the answer to Infection'. Deciding that Selena and Jim need Frank and Hannah as much as Frank and Hannah need them, the group eventually decides to set out for it in Frank's cab, looting an abandoned supermarket for supplies and narrowly avoiding the Infected on several occasions (including a tunnel under the Thames and a service station, where Jim is forced to kill a small boy who has been Infected), and spending a night sleeping in a ruined castle. Over their journey, the four bond as a slightly odd family, and it is clear that Selena, drawn into the family, is losing her pragmatic viewpoint on life.

While travelling along the motorway, they see that Manchester is engulfed by a massive firestorm, as there is no-one alive to fight the fires. They arrive at the blockade, only to find a deserted military camp strewn with dead soldiers and civilians; the blockade has been abandoned, which causes Frank to lose all hope. Storming away from the others, Frank is accidentally infected by a drop of tainted blood that lands in his eye. Realising that he doesn't have long to live, Frank tells Hannah that he loves her very much, and desperately pushes her away from him before he turns. In a heart-rending scene, Frank becomes an Infected and, snarling, moves to attack them. While Selena screams for the indecisive Jim to kill him while he has the chance, Frank is shot by several soldiers wearing NBC suits, who appear from nowhere.

The group of three soldiers transports Jim, Selena, and Hannah to a mansion fortified as a small military base. Their leader is the urbane Major Henry West (Christopher Eccleston), who explains that he and his seven soldiers are all that is left of the force which had been protecting Manchester, and that the fires in the city have driven hundreds of infected into the nearby area, prompting the group to fortify the house. In an enclosed courtyard, the three are shown Mailer, an infected soldier in chains, who is being kept by the major to determine how long it takes for the infected to die from starvation.

Broken from the loss of Frank, Jim, Selena, and Hannah eat an uncomfortable meal with the brash, crude soldiers (with the exception of the sergeant, Farrell, a solemn and conscientious man), who are called to defend the house against an attack by the Infected. After the attack (when the corporal, highly charged with adrenaline after the battle, attempts to force himself on Selena), Major West takes Jim aside, and explains that he cannot let him, Selena, and Hannah leave; he has promised his lonely, suicidal and rebellious soldiers sexual access to women as a means of giving them hope, and of 'rebuilding' the world. The 'answer' to Infection is nothing more than rape. Horrified, Jim tries to escape with his friends, but is knocked unconscious by one of the soldiers. When he wakes up, Major West offers one last chance to join them. When he refuses, he is thrown into the cellar with Sgt. Farrell, who has unsuccessfully tried to protect Jim and the women.

In the cellar, the sergeant tells Jim that the infection never spread beyond Britain; the outside world simply quarantined the British Isles and are waiting for the infected to die out. West's plan to rebuild the world is unnecessary; the horror of everything he's seen has merely driven him mad. Having refused to join in the rape of Selena and Hannah, Jim and the sergeant are taken out into the gardens to be shot, and Jim sees the bodies of dozens of other civilians who have been executed by the sadistic corporal. When the corporal fixes his bayonet to stab the sergeant to death, instead of shooting him as was planned, the other soldier sent to kill Jim and the sergeant loses his nerve and shoots the sergeant just before he is bayonetted. The turn of events results in the corporal turning on the other soldier, and in the ensuing fight, Jim, managing to elude his captors by blending in with the murdered civilians, clambers over the mansion wall and runs away. As he runs, Jim sees the contrails of an aircraft high above him, proving that the outside world is indeed intact (at least in part).

In the mansion's bedrooms, Selena, having temporarily driven away the soldiers, manages to drug Hannah with valium so that she will not care about what will happen to her. Before anything can happen, an air raid siren is heard coming from the blockade; Jim, outside the fences and thought dead by the soldiers, has managed to reach the blockade, and is waiting for the soldiers. As the corporal and some of the soldiers wait for their return with Selena and Hannah, West and the rest of his men make their way to the barricade and split up to look for Jim, who picks two of the nervous troops off before returning to the mansion. There, he releases Mailer, who then escapes into the house, infecting and killing the other soldiers present. As the Infected launch another attack - this time unopposed, as the troops are being killed from within, Hannah escapes from her captors and hides from the ensuing chaos.

Selena, meanwhile, is still with the corporal, who is dragging her away; they are ambushed by Jim, who mercilessly takes revenge on the sadistic corporal by gouging his eyes out. Horrified, and believing Jim to be Infected, Selena tries to kill him - but she has fallen in love with him, and cannot bring herself to do it. Echoing her earlier words that her response was 'longer than a heartbeat', she realises that Jim is still himself, and they kiss passionately... before Hannah, both drugged and also under the impression that Jim is infected, smashes a vase over him. Clarifying the matter, the three run to the cab - only to be cornered by West who, blaming Jim for killing 'his boys', shoots him in the stomach. Hannah, at the wheel of the cab, steers him back into the house - where he is dragged, screaming, out of the back by Mailer. As he is brutally killed, Hannah and Selena rush the wounded Jim to the hospital.

The scene changes to the mountains of Cumbria. It is another twenty-eight days later; the Infected are slowly dying from starvation. In the film's coda (shot on 35mm film, unlike the rest of the film), Jim re-awakens in a country cottage, to find Selena and Hannah, creating the word 'hello' out of all the fabric they could find, have managed to attract the attention of a Finnish reconnaissance jet aircraft. As the pilot speaks to his superiors (requesting "lähetätkö helikopterin" or "will you send a helicopter"), Hannah and Selena begin to cheer and Jim slowly smiles. Although their fate, along with the fate of the rest of the country, is left open-ended, presumably parts of the world have escaped the infection. There is hope after all.

The DVD of the film provides a number of alternate endings. In the first, which is fully filmed, Jim is mortally wounded escaping from the soldiers. Selena and Hannah, having rushed Jim to a local hospital in hope that they might save his life, leave his body there; completing an eerie circle for Jim who began and ended the film alone in a deserted hospital. In some versions of the ending, Jim dreams of the accident that hospitalized him before the film's beginning. The same coda scene of potential rescue from the air then plays, although this time Jim is not present and, amusingly, has effectively been replaced by a chicken.

In a second unfilmed alternate ending, the film picks up at the point where Frank is infected at the military roadblock near Manchester. The director animates the following largely with storyboards and voiceovers of the proposed script. This time, the sub-plot involving the soldiers does not take place. In a radical turn, Jim, Selena and Hannah take Frank to a local research complex (the same complex in which the infected chimpanzees were being held in the first scene). Their goal is to attempt to find the cure for the virus, which the radio broadcast had suggested was nearby. In the end, the cure is suggested to be a complete blood transfusion. Jim sacrifices himself so that Hannah can have her father, Frank, back. Again, Jim is left alone in a deserted hospital. The director believed that this ending - namely the "cure" of a total blood transfusion - was unbelievable, given that it had already been established that a single drop of infected blood would infect. It is impossible to remove every drop of blood and its solid components from the body in a transfusion.

While travelling around London at the beginning of the film, Jim picks up a copy of the Evening Standard. The front page carries a single headline printed in large font: "EVACUATION", with the sub-header "Government plans to evacuate Britain". The main text (which appears to be a list of all of London's boroughs) surrounds a section filled with smaller headers, including:

"Dangerous animals on the loose"
"Military blockades overrun"
"U.S. warships patrol British coastline"
"Blair declares state of emergency"
"Mass exodus of British people causes global crisis"
"UN to build giant refugee camps"
The last two sub-headers suggest that substantial numbers of the population have in fact escaped from the British Isles successfully.

The film revolves around the genetically engineered disease "Rage", which is spread through a single drop of blood and causes sufferers to become violent, in much the same way as rabies. Interestingly, the French word for rabies is rage, the root of the phrase raging fever.

An interesting note in this film is that although there are no more active power stations or power plants in the British Isles, due to the fact that there is no one left to operate them, Jim manages to turn the lights on in his house, and the supermarket that is visited initially in the film is fully powered. The mansion run by the military group where Jim and Co. temporarily reside is stated by the Major to run by generators.

28 Days Later differs from many zombie films in that "the Infected" are not undead zombies, but living humans driven insane by a highly communicable virus. As a result, rather than lumbering towards human victims like zombies, the Infected move extremely fast; and, because of an adrenaline rush, they have great strength and endurance. However, as they are not zombies, the "only way to kill it is to shoot out its brain" rule that applies to zombies does not apply to them, so any wound that could kill a normal human could kill them.

A development that Major West pointed out is that the Infected are living human beings, but they never eat food (or human flesh like zombies do), either because they have forgotten how or are so consumed by rage that they do not bother. Major West correctly surmised that the Infected would all eventually starve to death as a result, though exactly how long was uncertain (one should point out that a regular human body succumbs from lack of water in a matter of days, while dying of starvation in a matter of weeks); he actually had an Infected soldier chained up but not killed for the express purpose of finding out how long it would take for it to starve. In the flash-forward to another "28 days later" at the end of the film (2 months after the outbreak), two emaciated, immobile Infected were seen who would soon die of starvation (who, speaking in biological terms, would most likely have been infected well after the initial outbreak, as a human body could not survive 56 days without food and water).

The film is also ambiguous on how far across the planet the Rage-virus infection has spread, thus putting the viewer in the position of the characters who also do not know now that communications are gone. Early in the film, Selena tells Jim that the infection spread across all of Great Britain, and that the day before all television communications went down, there were reports of Infections in New York and Paris. However, later in the film, a dejected soldier laments to Jim that because they're radio-isolated, for all the characters know the infections in New York and Paris were contained and the rest of the planet survived, while the entire island of Great Britain has been quarantined.

A hint of this fact is made when Jim is nearly executed, lying on his back in the forest as he sees a passing plane flying at cruise altitude. Another unusual fact is that the virus infects people so quickly that it could not possibly make it to New York on any kind of transportation. The other characters were skeptical of this; however, talks are going on for a sequel to 28 Days Later titled "28 Weeks Later" which seems to assume that the rest of the planet stopped the spread of infection and, now that most of the Infected in Britain have starved to death, are going to try to re-colonize it.

There are talks in report for a sequel. It would be called 28 Weeks Later..., implying that it would take place several months after the first film. Rowan Joffe is in talks to write the script, and Danny Boyle and Alex Garland will take a producing role along side Andrew Macdonald. According to the listing on the Internet Movie Database, the plot will revolve around the idea of Americans arriving about six months after the incidents in the original film and attempting to revitalize an empty Britain. The cast of the original film are being reported as not returning for this film.

The film features spectacular scenes set in normally bustling parts of London such as Westminster Bridge, Piccadilly Circus, Horse Guards Parade and Oxford Street. To capture these locations looking empty and desolate, the film crew closed off sections of street for a matter of minutes at a time, usually early in the morning, to minimize disruption. Parts of the film were shot on the Canon XL-1s a Digital Video camera. DV cameras are much smaller and more maneuverable than traditional film cameras, on which such brief shoots would have been impractical. The use of digital video also adds a 'documentary' feel to the film, and adds to the realism.

In the scene where Jim walks by the overturned London bus, the crew were able to place the bus on its side and remove it when the shot was finished, all in under 20 minutes.

The scenes of the M6 motorway completely devoid of traffic were also filmed in limited time slots. In this case, a mobile police roadblock slowed traffic down enough to leave a long section of carriageway empty while the scene was filmed.

The film was a considerable success at the box office and became highly profitable on a budget of about £5 million. In the UK, it took £6 million, while in the US it became a surprise hit, taking over US$30 million despite a limited release at fewer than 1,500 screens nationwide.

Critical views of the film were positive (with a rating of 89% at RottenTomatoes) the L.A. Times describing it as a "stylistic tour de force", and efilmcritic.com describing it as "raw, blistering and joyously uncompromising". While most critics were impressed with the technical achievements of the scenes of a devastated London, some were not taken with the overall effect of the film. Philip French, writing in The Observer, said that the film was "at best clutching at a straw", and was a "gory, depressing affair"

The film is available on DVD. It includes a director's audio commentary, several deleted scenes with optional director's audio commentary, all endings, a music video and making-of documentary.

Technical details:
Writing Details: Alex Garland
Original Music: Danny Boyle, John Murphy, Godspeed You! Black Emperor, Brian Eno
Release Date: 1st November 2002, (UK) 27th June 2003, (U.S.)
Runtime: 113 mins
Aspect Ratio: 1.85 : 1
BBFC Rating: 18
MPAA Rating: R
OFLC Rating: MA15+